This week in MathOnco 312
Multi-scale modeling, spatiotemporal modeling, deep learning, and more…
“This week in Mathematical Oncology” — Oct 31, 2024
> mathematical-oncology.org
From the editor:
This week’s issue contains topics like multi-scale modeling, spatiotemporal modeling, deep learning, and more…
Next week will be a bye week for the newsletter, as all of us at Moffitt will be busy with the IMO Workshop. Follow along with the action on Twitter/X, here.
Thanks,
Jeffrey West
jeffrey.west@moffitt.org
Towards a framework for predicting immunotherapy outcome: a hybrid multiscale mathematical model of immune response to vascular tumor growth
Sayyed Mohammad Ali Mortazavi & Bahar FiroozabadiSpatiotemporal spread of oncolytic virus in a heterogeneous cell population
Sabrina Glaschke, Hana M. DobrovolnyA Systematic Review on Recent Advancements in Deep Learning and Mathematical Modeling for Efficient Detection of Glioblastoma
Mohammed Salman; Pradeep Kumar Das; Sanjay Kumar Mohanty
Phenotype structuring in collective cell migration: a tutorial of mathematical models and methods
T. Lorenzi, K. J. Painter, C. VillaMathematically tractable models of random phylogenetic networks: an overview of some recent developments
François BienvenuDecoding Spatial Tissue Architecture: A Scalable Bayesian Topic Model for Multiplexed Imaging Analysis
Xiyu Peng, James W. Smithy, Mohammad Yosofvand, Caroline E. Kostrzewa, …, Michael A. Postow, Margaret K. Callahan, Katherine S. Panageas, Ronglai ShenNonlinear dynamics of CAR-T cell therapy
Artur Fassoni, Denis Braga
Math Oncology Interviews by Thomas Hillen (YouTube)
The newsletter now has a dedicated homepage where we post the cover artwork for each issue. We encourage submissions that coincide with the release of a recent paper from your group. This week’s artwork:
Based on the conference: IMO Workshop 12
Conceptualization: Jill Gallaher (@jillagal), Chandler Gatenbee (@cgatenbee), Sandy Anderson (@ara_anderson)
Design, graphics: Jill Gallaher (@jillagal)
Caption: Deriving inspiration from Nirvana’s In Utero cover art, we created this piece. The angel was split into black and white to represent how cancer treatments must balance conflicting components of healing with toxicity. The downturned wing and head suggest the latter in tension with the outstretched opposing former. This aspect of balance extends to all of medicine, for which the symbolism of the caduceus with its rod and snakes is also represented here. The snakes themselves have been associated with shedding skin, healing, and transformation and their toxic venom. The colors and composition style were also inspired by the artwork on the Scarface movie poster.
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